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DTSTART;VALUE=DATE:20270415
DTEND;VALUE=DATE:20270416
DTSTAMP:20261022T112211Z
CREATED:20251120T042343Z
LAST-MODIFIED:20261022T112211Z
UID:3512-1807747200-1807833599@eisteddfod.syd.catholic.edu.au
SUMMARY:Solo Dance - [Section 52] Dance for Two
DESCRIPTION:Event Name: Dance for Two\nLocation: Southern Cross Burwood – Auditorium\nSection Number: 52 \nRegistration Information:\nEach entrant in this section must be entered individually by a parent or carer. Within that registration\, the other performer’s name must be listed to corroborate the two entries. If entrants are entered by the same parent or carer\, there must still be separate submissions made to capture the correct information per performer. \nPlease note – The Eisteddfod only allows entrants to perform once per section. Dance For Two is the name of this section – no matter the choice of dance style. For example\, an entry of two dancers with a jazz routine is one entry in this section. Both those dancers would not be able to perform again in Dance For Two in another style (ie Hip Hop). Please ensure when entering a student in this section\, they are not expected to be performing in a second Dance For Two entry.  \n  \nSection Guidelines:\nTime stipulations – performances must not exceed:\nYears 3-12 (ages 7 – 18): 3 minutes\nPerformances will be stopped at 1 minute over time \n1 piece only to be performed. \nEntrants must be from the same school. \nEntrants must share equal time on the stage and both be integrally involved in the routine. \nDance solos and ensembles may be performed with or without accompaniment. Accompaniment may be provided in the way of a backing track. No live accompaniment is permitted\, unless this has been previously arranged with Eisteddfod organisers. \nPerformance music must contain appropriate themes and lyrics for the age and stage of the performer/s\, in line with the mission\, vision and values of SCS.  \nMusic must not contain swearing or slurs. \nAll music and dance movements are to be congruent with the Catholic ethos of the association. \nCostuming is an optional requirement but MUST adhere to appropriate modesty standards for the age. Costumes must preserve the dignity of the performer. No midriff or cut away tops. High cut costumes (cut out from the leg to the waist) are not acceptable for any individual or group. \nWork is to be original. It cannot be a copy of an established dance. \nCrash mats are not provided for any dance sections\, any lifts or jumps must be done safely and rehearsed without mats. \n\nJudging Criteria:\n\nTechnique appropriate to the dance style\nChoreography Quality\nPerformance Quality (expression\, execution and confidence)\nUse of Dance Elements appropriate to style (SPACE\, TIMING\, DYNAMICS)\nOverall Presentation (musical accompaniment\, entertainment value\, spatial awareness)\nCreativity and Originality\n\nOriginality of movement and choreography.\nDemonstrates innovative and creative use of space\, music\, and emotions.\n\n\nTechnique and Skill\n\nExecution of dance techniques (e.g.\, leaps\, turns\, extensions) with precision.\nMastery of various dance styles and genres.\nControl\, balance\, fluidity and strength of movements.\n\n\nMusicality\n\nAlignment with the music’s rhythm\, tempo\, and dynamics. Interpretation of the music through movement.\nAbility to capture the essence of the music and convey it to the audience.\n\n\nExpressiveness and Emotion\n\nAbility to convey a story\, message\, or emotion through dance.\nConnection with the audience through facial expressions and body language.\nDepth of emotional engagement and authenticity.\n\n\nStage Presence\n\nConfidence and charisma on stage.\nEffective use of the stage space.\nEngagement with the audience and judges.\n\n\nTransitions and Flow\n\nSmooth and seamless transitions between movements and sequences.\nConsistency in maintaining the flow of the dance.\nAvoidance of awkward pauses or disruptions.\n\n\nCostume and Presentation\n\nAppropriate costume choice that complements the dance.\nOverall presentation\, including grooming and stage presence.\nAttention to detail in costume and appearance.\n\n\nImprovisational Skills\n\nAbility to adapt and respond to changes in the music or environment.\nCreativity in incorporating unexpected elements into the dance.\nAttention to creative transitions between movements\, styles or emotional states.\n\n\n\nImmediate Point Deductions:\n\n2 point deduction per 10 seconds over time.\n2 point deduction for inappropriate costume (midriff\, cut away\, high cut).\n2 point deduction for additional Tap sounds in Tap backing tracks\n100% deduction if backing track contains slurs or swearing.
URL:https://eisteddfod.syd.catholic.edu.au/event/solo-dance-dance-for-two-pas-de-deux-09-04-2026/
LOCATION:Southern Cross Catholic College Burwood\, Southern Cross Catholic College\, 17 Comer St\, Burwood\, NSW\, 2134
CATEGORIES:Dance Solos
ATTACH;FMTTYPE=image/jpeg:https://eisteddfod.syd.catholic.edu.au/wp-content/uploads/sites/10/2025/11/Solo-Dance-Dance-for-Two-Pas-de-Deux-Section-52.jpg
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